Music
for Life - an explanation by Annie Mawson
"Sunbeams ventures into a world where doors are closed, and with
commitment and passion, tries to find the appropriate musical key to unlock a
knowledge that is there from the very first heartbeat."
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This is our philosophy at the Sunbeams Music Trust, which
brings music to people of all ages with special needs throughout
Cumbria. But let me take you back in time to Samuel....... "When
King Saul was seized with a deep melancholia, David took
an harp and played it, and the melancholia departed."
Beautiful words, ancient and modern alike, separated by three
Millennia, but the message remains the same, - the "power of
music to heal". I believe that we can all be touched by the
healing influence of sound, physically, emotionally, mentally
and spiritually.... and at Sunbeams we have daily proof
of the powerful transformative effects of music. Although the
power of music to heal and to alleviate illness and distress
has been recognised for centuries, it is only in the 20th Century
that systematic research into the reasons for its efficacy has
really begun. Its appropriateness as a therapy for people with
mental health problems for example, has since been well-documented
through time-based research, in the USA since 1944, and by Juliette
Alvin, the pioneer of Music Therapy in the U.K.
Music Therapy is now a real and bonafide method of improving
health and well-being, however difficult it is to measure the
consequences of "the power of music to heal". BUT, the long-term
aim of any therapy is surely to overspill and generalize the
effects into everyday life. Hence our concept has evolved through
our work, of "Music for Life". When one realizes that the acoustic
nerve in the foetus is fully developed at four and a half months,
and at the other end of the 'time-scale', the hearing is the
last sense to die, the importance and impact of Music for Life
becomes far-reaching and profound. One of the inspirations
behind the founding of Sunbeams Music Trust was a gentleman
with Downs Syndrome called Johnathon, who was 17 when I first
met him in 1977. He was a remarkable person, commanding great
respect from all knew him, not least because his passion was
Gilbert and Sullivan Opera: he knew every single song,
from every score. He died in 2001, literally listening and singing
along to Radio 3 highlights of G and S.
Real Music for Life.
Music for Life is based on my passionate belief that Music can
transcend politics, finance, bureaucracy; that it has the ability
to help people communicate when all other strategies have failed.
I think of the most moving rendition of the Northumberland
song, the Blaydon Races, by the gentle sweet voice of a frail
old lady, who hadn't spoken for three years since she
had suffered a stroke. The utterance of her first words in all
that time was powerful testimony to the fact that if the ear
cannot perceive the sounds, the tongue cannot pronounce them.
And I think of the shy young girl who chose to be an 'elective
mute, locking herself away into a world of silence, and communicating
only through singing for 19 years. After all that time,
the confidence gained from her music helped her to overcome
the emotional blockages, and I received the dramatic phone call
from a voice I thought I would never hear -"When's my next gig,Annie?"
- Real Music for Life!
Continued
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